Tonet: Tone-Octave Network for Singing Melody Extraction from Polyphonic Music
Ke Chen, Shuai Yu, Cheng-i Wang, Wei Li, Taylor Berg-Kirkpatrick, Shlomo Dubnov
Abstract
Singing melody extraction is an important problem in the field of music information retrieval. Existing methods typically rely on frequency-domain representations to estimate the sung frequencies. However, this design does not lead to human-level performance in the perception of melody information for both tone (pitch-class) and octave. In this paper, we propose TONet <sup xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">1</sup> , a plug-and-play model that improves both tone and octave perceptions by leveraging a novel input representation and a novel network architecture. First, we present an improved input representation, the Tone-CFP, that explicitly groups harmonics via a rearrangement of frequency-bins. Second, we introduce an encoder-decoder architecture that is designed to obtain a salience feature map, a tone feature map, and an octave feature map. Third, we propose a tone-octave fusion mechanism to improve the final salience feature map. Experiments are done to verify the capability of TONet with various baseline backbone models. Our results show that tone-octave fusion with Tone-CFP can significantly improve the singing voice extraction performance across various datasets – with substantial gains in octave and tone accuracy.